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Review | Imagine Dragons rocks electropop in new album ‘Loom’
By
Magdalena Neff
, Summer Editor
•
July 1, 2024
Review | ‘Model’ revitalizes Wallows’ sound, falls flat with repetition
By
Jacob Slabosz
and
Chloe Barbarise
•
May 24, 2024
Black musicians highlight diversity in CU music scene, push for intentional inclusivity, representation
By
Annisyn Krebs-Carr
, Senior buzz Reporter
•
April 30, 2024
NLE Choppa delivers high-energy set after 3-hour delay
By
Annisyn Krebs-Carr
, Senior buzz Reporter
•
April 29, 2024
UPDATE: Spring Jam moved indoors to State Farm Center
By
Maaike Niekerk
, Arts & Entertainment Editor
•
April 25, 2024
Column | Blur’s ‘Parklife’ turns 30: Celebrating a defining Brit-pop album
By
Kristina Muharremaj
, Staff Writer
•
April 25, 2024
Slaughter Beach, Dog creates intimate performance at Independent Media Center
By
Kristina Muharremaj
, Staff Writer
•
April 24, 2024
Ebertfest day 4 showcases locally produced ‘Albany Road,’ shines spotlight on indie films
By
Mariana Quezada
, Staff Writer
•
April 22, 2024
Ebertfest day 3 showcases Black romantic comedy ‘The Best Man’
By
Annisyn Krebs-Carr
, Senior buzz Reporter
•
April 21, 2024
Michael Barker honored at Ebertfest day 2, ‘The Teachers’ Lounge’ sparks debate
By
Saagar Kolachina
, Staff Writer
•
April 21, 2024
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By
Felicity Abbott
, Staff Writer
•
April 21, 2024
Ebertfest celebrates 25 years with gripping ‘Star 80’ as opening night showcase
By
Mariana Quezada
, Staff Writer
•
April 19, 2024
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